David Paulus: More than 100 works that tell the story of CuraƧao’s roots.

David Paulus

At the CuraƧao Museum, faces seem to speak to one another. Some are familiar; others evoke families, trades, stories, and expressions passed down through the generations. Since August 20, 2026, the exhibition “Rumbo i RaĆ­sā€ has brought together more than 100 works: portraits, mixed-media pieces, and three-dimensional creations. Through this collection, David Paulus reflects on his native island, its people, and the memories that continue to shape CuraƧao.

The exhibition serves as a meeting point for various aspects of her career. Fashion, visual arts, performance, teaching, and family history all intersect here. Behind the works, a single question keeps recurring: Where do we come from, who shapes us, and what do we choose to pass on?

David Paulus

First Aid in CuraƧao

Born in 1986 and raised in CuraƧao, David Paulus says he discovered the joy of creating at an early age. As a child, he helped his mother make dolls to sell and watched his grandmother sew her own dresses. He also remembers small fashion shows held in the garden. Today, these domestic activities take on a new significance. They place creativity at the heart of a family tradition, even before it became a profession. Based in the Netherlands since 2003, the artist has built a world in which clothing, imagery, and staging interact.

David Paulus

Fashion as a Testing Ground

David Paulus identifies as an Afro-Caribbean artist and works at the intersection of several disciplines. In fashion, he develops what he calls ā€œArt Couture.ā€ His creations do more than simply clothe; they construct characters, atmospheres, and narratives.

This approach has led him to participate in various events, including Fashion Weeks in Amsterdam, London, Paris, and CuraƧao. He also conceives his presentations as performances, with a focus on the models, music, set design, and choreography. This freedom allows him to gradually move beyond the traditional framework of clothing. For him, fashion becomes one language among many, capable of conveying a memory or questioning an identity.

When Roots Become the Subject

In April 2025, the “Paga Tera” clearly pointed in this direction. Presented in Amsterdam, it brought together fashion, identity, family narratives, and CuraƧao’s heritage. David Paulus explained at the time that his work also serves to honor the stories of his ancestors and the Afro-Caribbean diaspora. Clothing is therefore no longer merely a form of spectacle. It becomes a medium for looking back, questioning what has been passed down, and bringing to light cultural references that are sometimes absent from mainstream fashion circles.

This research also ties in with his interest in arts education. After largely teaching himself, he began training in the Netherlands to become a teacher of visual arts and design. During a stay in CuraƧao in 2023, he focused in particular on new ways to integrate creativity into the local education system.

More than a hundred works, a collective memory

With “Rumbo i RaĆ­s”, David Paulus takes this reflection a step further. The CuraƧao Museum presents the exhibition as a dialogue between historical legacies, contemporary voices, personal memories, and collective history. The people depicted do not claim to represent the entirety of CuraƧaoan society. They constitute an artistic selection shaped by the artist’s research, encounters, and perspective.

This choice is essential. It prevents the exhibition from becoming an official inventory of CuraƧao. Instead, the portraits serve as gateways to broader stories—those of families, generations, and cultural references that continue to resonate today.

David Paulus

David Paulus: Between Leadership and His Roots

The title “Rumbo i RaĆ­s” can be understood as an encounter between direction and roots. These two ideas also sum up David Paulus’s journey. His work evolves, changes form, and spans multiple disciplines, yet it regularly returns to CuraƧao. Perhaps that is where his uniqueness lies. He does not choose between fashion and art, between personal creation and transmission. He uses each medium to ask the same question in a different form.

Today, more than a hundred works invite the public to recognize a face, a story, or a part of themselves. But behind this recognition lies a deeper question. If our roots help define our path, what will we, in turn, choose to leave for future generations? Discover David Paulus, an artist from CuraƧao, his journey through Art Couture, memory, and identity, and his exhibition *Rumbo i Raƭs* at the CuraƧao Museum in 2026.

šŸ“ø @David Paulus

David Paulus is an Afro-Caribbean artist born and raised in CuraƧao. His work spans fashion, Art Couture, and the visual arts, with a particular focus on identity, roots, and cultural transmission.

Rumbo i RaĆ­s is an exhibition by David Paulus on view at the CuraƧao Museum since August 20, 2026. It features more than 100 works, including portraits, mixed-media pieces, and three-dimensional works exploring the themes of memory and CuraƧao’s roots.

CuraƧao’s roots run deep throughout David Paulus’s artistic journey. His works explore family histories, ancestors, Afro-Caribbean identity, and what each generation chooses to pass on to the next.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Man MƩlƩ
VISUAL ARTS
Tolotra

Martinique – CĆ©cile Vernant: Behind the Scenes of ā€œMan MĆ©lĆ©!ā€ at the Senate’s Orangerie.

At the Senate Orangery, Man MĆ©lĆ©! took on a dimension that CĆ©cile Vernant could not have fully anticipated before the doors opened. As the days went by, the exhibition became a space for encounters, conversations, and exchanges between artists and visitors. Surrounding the artworks, discussions revolved around Martinique and nature, but also memories, cultures, and sensibilities from far beyond the island. The calm before the crowd arrives Every morning, CĆ©cile Vernant arrived before the park opened at 11 a.m. The garden was quiet. She would pass joggers, watch the tai chi groups among the chestnut trees, and enjoy the scent of the flowers. She loved this ā€œcalm before the storm.ā€ A few hours later, the atmosphere would change. CĆ©cile Vernant estimates that the Orangerie, which is about 600 m², could accommodate up to 400 visitors at its peak over the course of three to four hours. The busiest day reportedly

Read More Ā»
David Paulus
VISUAL ARTS
Tolotra

David Paulus: More than 100 works that tell the story of CuraƧao’s roots.

At the CuraƧao Museum, faces seem to speak to one another. Some are familiar; others evoke families, trades, stories, and expressions passed down through the generations. Since August 20, 2026, the exhibition “Rumbo i RaĆ­sā€ has brought together more than 100 works: portraits, mixed-media pieces, and three-dimensional creations. Through this collection, David Paulus reflects on his native island, its people, and the memories that continue to shape CuraƧao. The exhibition serves as a meeting point for various aspects of her career. Fashion, visual arts, performance, teaching, and family history all intersect here. Behind the works, a single question keeps recurring: Where do we come from, who shapes us, and what do we choose to pass on? First Aid in CuraƧao Born in 1986 and raised in CuraƧao, David Paulus says he discovered the joy of creating at an early age. As a child, he helped his mother make dolls to

Read More Ā»
Oil Down
CULINARY ART
Tolotra

Grenada — Oil Down, the national dish that tells the island’s story

Oil Down, Grenada’s national dish, fits into a single pot but represents much more than just a meal. Breadfruit, callaloo, coconut milk, dumplings, meats, and spices all simmer together in it. As the liquid evaporates, something else takes shape: a way of cooking, of passing on traditions, and of coming together. A pot that brings people together It all starts with a simple gesture. We fill the pot in layers. The breadfruit takes its place alongside the vegetables, greens, dumplings, and pieces of meat. The seasoned coconut milk envelops the whole mixture before it’s cooked slowly, without stirring. This arrangement is just as important as the ingredients. Preparing this dish isn’t just about combining ingredients. It’s about creating a dish where each element cooks alongside the others and gradually absorbs the flavors around it. The pot then becomes a reflection of the meal itself. Multiple ingredients, multiple journeys, but a

Read More Ā»

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our RichĆØs Karayib community! Ā Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application