Dominican Republic: Who Owns an Abandoned Memory?

République dominicaine

In Santiago de los Caballeros, in the Dominican Republic, some Victorian houses still feature their ornate balconies, zinc roofs, and bright colors. Yet behind these facades, time is taking its toll. Abandonment, deterioration, and squatting are undermining part of this heritage. According to urban planner Reynaldo Peguero, approximately 400 Victorian and Republican-era buildings remain in the city. Each one tells more than just an architectural story: it tells the story of a neighborhood, a family, and sometimes a chapter in the nation’s history.

This reality gives a concrete face to the ongoing debate in the Dominican Republic. On July 24, 2026, the Senate approved, on second reading, a bill on the protection and acquisition of cultural heritage. The bill must still be reviewed by the Chamber of Deputies before it can be sent to the executive branch. It is therefore not yet an enacted law. Behind this bill lies a practical challenge: restoring an old building requires resources, while allowing time to take its toll can erode its value. The solution, therefore, cannot rely solely on property owners or the government alone.

Dominican Republic

Dominican Republic: Where Property Meets Memory

The bill recognizes public or private properties of historical, artistic, architectural, archaeological, documentary, scientific, or ethnological value as cultural heritage. It also covers intangible heritage, underwater heritage, and certain collections. The owner would retain ownership of the property but would be required to comply with specific obligations: to maintain it, to allow inspections, and to seek authorization before making certain alterations.

Dominican Republic
Dominican Republic

The most debated measure is expropriation. Under certain circumstances, the government may acquire private property when a lack of maintenance threatens its preservation, when its preservation so requires, or when a public interest is established. The procedure must comply with the legal framework and provide for compensation.

The issue, therefore, goes beyond a simple conflict between the government and property owners. When a historic house collapses, it is not just a private building that disappears. It is traditional craftsmanship, family memories, and a way of living in the city that are lost. The property belongs to one person. But the memory it holds can belong to an entire community.

A living heritage, not just a backdrop

In the Dominican Republic, Reynaldo Peguero is calling for better identification of vulnerable buildings and for coordination among public and private stakeholders. Saúl Abreu, executive director of the Association for the Development of Santiago, also believes that the government should consider acquiring properties of significant heritage value. The goal would not be to preserve these houses in their current state, but to give them a new purpose: as a museum, cultural space, training center, or institutional building.

This approach aligns with a key principle for the Dominican Republic: preservation does not simply mean maintaining a facade for visitors. Heritage remains alive when it continues to be visited, shared, and passed down. Without active use, restoration can become an empty shell. Without residents, artisans, historians, and community organizations, legal protection alone is not enough.

The bill also provides for a right of first refusal for the government when an owner wishes to sell a cultural heritage property. It would establish guidelines for work on national monuments, the export of certain objects, and archaeological excavations. Penalties ranging from 10 to 50 times the public-sector minimum wage are also being considered.

Dominican Republic
Dominican Republic

Who will decide what is worth saving?

However, the text raises several questions. How can one determine that a property owner is no longer fulfilling their duty to preserve the property? What support will be offered to them before expropriation? How can fair compensation be determined? And above all, will the government subsequently have the necessary budgets, specialists, and time to restore the acquired properties? These questions are essential. A preservation law must not become an arbitrary tool. It must be based on transparent inventories, independent expert assessments, accessible appeals, and a long-term strategy. It must also recognize that some property owners want to preserve their properties but simply lack the means to do so.

In the Dominican Republic, therefore, the debate is not simply a matter of choosing between private ownership and public intervention. It calls for the development of shared responsibility. The government can provide oversight and funding. Property owners can maintain and pass on these buildings. Local communities can document them. Citizens can restore these places to their rightful place in daily life. Ultimately, the question is simple: when a building embodies a part of our shared history, can we wait until it disappears to realize how important it was?

Dominican Republic
Dominican Republic

The project aims to prevent the loss of buildings, objects, or collections of heritage value. Controlled expropriation could be considered when abandonment or lack of maintenance threatens their preservation.

No. The bill was approved on second reading by the Dominican Senate, but it must still go through the legislative process before it can be enacted.

Protection could apply to historic buildings, works of art, archives, collections, archaeological sites, and other tangible or intangible assets recognized for their cultural value.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Bonaire salt marshes: pink ponds and white salt mountains in the south of the island
HISTORY & HERITAGE
Tolotra

Bonaire: 3,700 hectares of salt marshes conceal a history of slavery

At the southern tip of Bonaire, a Dutch-speaking island in the Caribbean, the salt marshes stretch out in pink and white basins across nearly 3,700 hectares—thirteen percent of the island’s total area. This postcard view, photographed every year by thousands of visitors from the coastal road, hides a history dating back more than five centuries, the story of salt that shaped Bonaire’s economy and, for two hundred years, the lives of hundreds of enslaved people. Along EEG Boulevard, which runs along the southern coast of Bonaire, mountains of white salt come into view kilometers before you reach them. Each contains about 10,000 metric tons of salt that is 99.6% pure, piled nearly 15 meters high, with up to 200,000 metric tons stored at any given time. Their whiteness, so intense that you need to keep sunglasses handy, stands in stark contrast to the pink of the neighboring pools. The salt

Read More »
Journées européennes du patrimoine 2026
EVENT MANAGEMENT
Tolotra

European Heritage Days 2026: Martinique Opens Its Archives.

On September 15, at 5 p.m., the conference room of Martinique’s Cultural Affairs Department is already packed. Journalists, cultural leaders, organizations, artists, and heritage professionals have gathered to find out what the 43rd edition has in store. With just four days to go before the 2026 European Heritage Days , scheduled for September 19 and 20, this press conference already feels like a journey across Martinique—from its Creole huts to its lighthouses, from Saint-Pierre to the monuments we sometimes pass by without really noticing them. European Heritage Days 2026: A Lively Conference Johan-Hilel Hamel, Martinique’s director of cultural affairs, opened the meeting without putting on airs. He even warned that the evening would not be a long monologue. The conversation quickly began to flow. A representative from Les Trois-Îlets speaks, followed by Xavier Nicolas from the Directorate of the Sea, Philippe Villard from the Heritage Foundation, Florence Le Gal from

Read More »
caribbean cinema
FILM & VIDEO
Tolotra

S3/10 – Stories of Caribbean Cinema: Two Perspectives on the Year 1980. Texts by Guillaume Robillard. Ciclic, 2026.

With this third episode, *Stories of Caribbean Cinema* moves into the 1980s. The first two installments covered Cuba, Jamaica, Trinidad and Tobago, and Guadeloupe, from the 1960s through the emergence of Caribbean cinema. This time, two films made in the same year take radically different directions. In Jamaica, *Children of Babylon* explores romantic, sexual, and racial relationships with unusual freedom. In Guadeloupe, *Live Free or Die* draws on several centuries of history centered on the legacy of Commander Ignace. This article is the third installment in a series of ten. Two installments have already been published, and seven more will follow in this chronology of Caribbean cinema. 1980: JAMAICA – “CHILDREN OF BABYLON”, BY LENNIE LITTLE-WHITE This film is unique in Jamaican cinema and, more broadly, in Caribbean cinema as a whole. Far from the social deprivation of Kingston’s ghettos, in a villa in the countryside (complete with a swimming

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application