Individuals in difficulty or SMEs seeking financing: how can IEDOM make a difference?

IEDOM

IEDOM – Behind the influence of France’s overseas territories lies a key challenge: sustainable, inclusive development. As the central bank for the French overseas departments and territories, the “Institut d’émission” plays an essential role in supporting businesses, promoting promising projects, fostering financial education and strengthening the resilience of local economies. A discreet but essential player in the dynamics that also irrigate the economic, cultural and tourist sectors of these territories.

INTERVIEW - Ivan Odonnat, Chairman of the IEDOM

IEDOM
Ivan Odonnat

What exactly is the role of the IEDOM in the French overseas territories?

IEDOM is the “Institut d’émission des départements d’outre-mer” (French overseas departments note-issuing bank). It acts as the Banque de France’s delegated central bank in the overseas territories whose currency is the euro. We are present in Guadeloupe, Saint-Barthélemy and Saint-Martin, Martinique, French Guiana, Mayotte, La Réunion and Saint-Pierre-et-Miquelon. Our head office is located in Paris.

IEDOM
MAP IEDOM

What are your concrete fields of action?

Our missions are many and varied. We put euro bills and coins into circulation, guaranteeing their security and quality. We analyze the financial health of companies, and help individuals in financial difficulty. We also contribute to the financial education of the general public, including young people. Finally, we produce studies on a wide range of topics: economic conditions, inflation, unemployment, the financial situation of companies, payment terms, financing conditions, credit, savings, bank rates.

IEDOM
EDUCFI
IEDOM
EDUCFI
IEDOM
EDUCFI

Do you have a concrete example for an individual in financial difficulty?

When an individual is no longer able to repay their debts, they can file an over-indebtedness application. If the application is accepted, the over-indebtedness commission will choose the best possible solution, depending on the individual’s financial capacities: a break in payments, spreading repayments over a longer period, or even cancelling certain debts if the situation shows no sign of improving.

IEDOM

What about companies? Do you help them find financing?

Exactly. We support very small businesses (VSEs) and small and medium-sized enterprises (SMEs) via our VSE-SME correspondents in our branches. They are available to listen to entrepreneurs about their financing issues and direct them to the right contacts. Simply make an appointment.

IEDOM

What are your financial education missions?

We put in place a range of initiatives to raise public awareness of economic and financial issues. For example, we offer workshops on budgeting, bank accounts and credit. We give advice on how to recognize and avoid financial scams. Finally, we organize sessions on economic concepts to help you understand current debates.

We work in secondary schools, directly with students and their teachers, as well as with social workers and people in financial difficulty.

IEDOM
Financial Education Week in Guadeloupe
IEDOM
Financial Education Week in La Réunion
IEDOM
Financial Education Week in Mayotte.
IEDOM
Financial Education Week in Martinique

How many people work at the IEDOM today?

We have around 250 employees, divided between our head office in Paris and our 6 branches in Les Abymes, Fort-de-France, Cayenne, Mamoudzou, Saint-Denis and Saint-Pierre. All of them are committed to supporting the economies of the French overseas territories on a daily basis, and to assisting them in their transformations.

You’ll find all our branch addresses and information on our missions on our website www.iedom.fr.

By supporting local economies, facilitating access to financing and accompanying entrepreneurial dynamics, the IEDOM plays a full part in the economic, cultural and tourist vitality of France’s overseas territories.

IEDOM
IEDOM Guadeloupe
IEDOM Guyane
IEDOM La Réunion
IEDOM
IEDOM Martinique
IEDOM
IEDOM Guyane
IEDOM
IEDOM Mayotte
IEDOM
IEDOM Saint-Pierre-et-Miquelon

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Caribbean Cinema
FILM & VIDEO
Tolotra

Stories of Caribbean Cinema, Maroon Culture, Transmission, and the Imagination. Texts by Guillaume Robillard. Ciclic, 2026

The history of Caribbean cinema continues its journey through the 1980s. After three episodes devoted to the early developments of several cinematic movements in the region, this fourth installment brings together two films from Martinique and one from Curaçao. From the “marronnage” in *Le Sang du flamboyant* to the international trajectory of *Rue Cases-Nègres*, and on to the unique worldof *Almacita di Desolato*, these three works explore different relationships to memory, oral tradition, Africa, and Caribbean imaginaries. This article is the fourth installment in a series of ten. The first three are already available on Richès Karayib, and six more will continue this story through the 2020s. 1981: MARTINIQUE — *The Blood of the Flamingo*, by François Migeat This film is unique in Caribbean cinema. Indeed, its director is a “Metropolitan” (that is, a white man from mainland France who had no deep-rooted ties to the French West Indies) who

Read More »
Doubles, plat de rue de Trinité-et-Tobago composé de deux baras frits et de pois chiches au curry
CULINARY ART
Tolotra

Doubles: The Story of Emamool Deen Behind Trinidad’s Street Food Dish

In Princes Town, in southern Trinidad and Tobago, the “doubles” were born in 1936 from a simple gesture: a customer asking for a second piece of bread. At the time, Emamool Deen and his wife Rasulan were selling curry chickpeas on a single piece of fried bread, unaware that they were inventing the country’s most iconic street food. Nearly a century later, doubles still tell the story of Indo-Trinidadian heritage through this chickpea sandwich, which has become a national symbol. A Morning in Princes Town, 1936 At 4:00 a.m., in a courtyard in Princes Town, in the southern part of Trinidad and Tobago, Rasulan Deen lights the fire that will heat the coconut oil. Her husband, Emamool Deen, is boiling the chickpeas that the couple was able to buy by selling a goat, the only possession they had. The year is 1936, and according to oral tradition preserved by several

Read More »
María Elena Llorente recevant un hommage floral, Ballet Nacional de Cuba
DANCE
Tolotra

María Elena Llorente: 50 Years of Ballet in the Service of Cuba

In May 1977, a Cuban dancer took the stage in New York with the Alvin Ailey Dance Theater. In the audience that evening, actor Harry Belafonte watched the performance and would later describe the evening as a significant historical event. This dancer’s name was María Elena Llorente, prima ballerina and ballet mistress of the Ballet Nacional de Cuba. Her career spans fifty years of dance, spent almost entirely with a single company—the one founded by Alicia Alonso in Havana—on an island where, over the decades, classical ballet has become as much a source of national pride as it is an art form. María Elena Llorente, of the Sociedad Pro-Arte at the National Academy It all began at the Sociedad Pro-Arte Musical, a school in Havana where young Cuban women learned the basics of classical ballet even before the official founding of the national ballet company. María Elena Llorente then continued

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application