Saint Lucia: Kyvon Edwin and the film BAGAY-LA NOU PÒTÉ

Kyvon Edwin


Kyvon Edwin a St. Lucia-born, New York-based director, has established himself as a rising star on the film scene thanks to his talent and commitment to Caribbean culture. A graduate of the Lee Strasberg Theater and Film Institute, he has already made his mark with his first film, LETTRE-LA, which was screened at prestigious festivals such as the American Black Film Festival and the Cannes Film Festival. Now he’s back with an ambitious new project: BAGAY-LA NOU PÒTÉ (THE THINGS WE WEAR), a short film that promises to shed light on the realities and dreams of young Saint-Lucians.

BAGAY-LA NOU PÒTÉ: A story of dreams and resilience

Kyvon Edwin‘s latest project, BAGAY-LA NOU PÒTÉ, is much more than just a film. This sports drama follows the journey of a young cricket prodigy who aspires to join the West Indies national team. But his ambitions are hampered by the daily challenges he faces in his family and community. Through this story, he aims to capture the essence of life in Saint Lucia, exploring the struggles, hopes and resilience of the island’s youth.


The film is also a first for Saint Lucia: few films have explored cricket, a sport deeply rooted in Caribbean culture, from this narrative angle. By setting the action in authentic St. Lucian locations, he hopes to offer a faithful and inspiring representation of his native island.

Kyvon Edwin
Kyvon Edwin. Source : Kyvon Edwin
Kyvon Edwin
Kyvon Edwin

Crowdfunding: essential support


To finance this ambitious project, Kyvon Edwin has launched a crowdfunding campaign on Kickstarter with a target of 16,500 USD. These funds will be used to cover essential costs such as cast and crew salaries, equipment hire, transport costs and catering. Crowdfunding allows him to involve the community directly in the making of the film, while raising awareness of the importance of supporting emerging artists.


Through this initiative, Kyvon Edwin shows how filmmaking can be a collective effort. Contributions are not just about funding; they also represent a vote of confidence in a filmmaker who seeks to tell authentic stories about Caribbean culture.

Kyvon Edwin's creative journey

Since his early days in film, he has always sought to tell stories that resonate with his cultural heritage. With his company Roots Productions, he strives to amplify the voices of the Caribbean diaspora. His first film, LETTRE-LA, was hailed for its artistic sensitivity and poignant narrative.

For BAGAY-LA NOU PÒTÉ, he assembled a talented team including Junior Federick (producer) and Kentilia Louie (casting director). The project represents over a year of hard work, marked by financial challenges, but also by an unshakeable determination to create something impactful.

Kyvon Edwin is undoubtedly a rising star of Caribbean cinema. With BAGAY-LA NOU PÒTÉ, he’s not just offering a cinematic work; he’s also providing a platform to celebrate Saint Lucian culture and inspire future generations. Thanks to crowdfunding and community support, this film promises to be an important milestone for Saint Lucia and for Caribbean cinema as a whole.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Chattel house
HISTORY & HERITAGE
Tolotra

Chattel House: The Hidden Social History Behind Barbados’ Houses

At first glance, they catch the eye with their wooden facades, their colors, and their simple proportions. Yet Barbados’ chattel houses are not merely an architectural signature. Their form reflects a specific social reality: for a long time, some residents could own their homes without owning the land on which they stood. A chattel house therefore had to be movable. Chattel House: A Home Designed for Traveling To understand this unique aspect, we must look back to the post-emancipation period. In Barbados, the emancipation of enslaved people was completed in 1838. However, the island’s land structure remained deeply shaped by the sugar economy. As early as the 17th century, the expansion of sugarcane cultivation had led to the concentration of land in the hands of large plantations. After emancipation, many workers still lived on land belonging to the plantations. They could build a home and own it, without owning the

Read More »
Bélya Matinik : 10 titres pour faire du bèlè un récit du présent.
MUSIC
Tolotra

Bélya Matinik: 10 tracks that make bèlè a story of the present.

On August 9, 2026, Bélya will officially release *Adoumanman*, a ten-track album conceived as a balance between the bèlè heritage and contemporary creativity. In this album, the Martinican band sets to music themes of migration, memory, transmission, violence, resistance, and hope, without turning a blind eye to the present. Bélya: Heritage as a Starting Point With Adoumanman, Bélya pursues an idea that runs through his artistic approach: remaining deeply rooted in bèlè while allowing this art form to evolve with the times. The group refers to its style as “Bèlè Fusion” and performs k’bel, or kadans bèlè, drawing notably on the rhythms of Samaritan and Arlesian bèlè, as well as the musicians’ experiences with carnival, gospel, zouk, and jazz. The vision behind this new album can be summed up in a few words: “Roots, and openness to the winds of the world”. Adoumanman also uses the phrase “Mi Plézi dann.”

Read More »
Kaieteur Falls
TOURISM
Tolotra

Kaieteur Falls: A single 226-meter drop in Guyana.

As the plane leaves Georgetown, the roads fade from view, the houses become tiny, and the forest eventually fills almost the entire horizon. Then, suddenly, a white break appears in this vast expanse of green. These are the Kaieteur Falls, where the Potaro River plunges 226 meters in a single drop. The sight is impressive not only for its height but especially for its surroundings: almost no man-made structures, just rock, forest, water, and open space. Kaieteur Falls: 226 meters that put things into perspective At 226 meters, or 741 feet, Kaieteur Falls is more than four times as high as Niagara Falls. Its uniqueness also lies in the combination of this height and the volume of water plunging from the plateau. Here, the Potaro River does not cascade down in a series of waterfalls. It flows through the landscape, suddenly reaches the escarpment, and then vanishes into a curtain

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application