BARBADOS: “Reparations Now” – When Caribbean Art Carries the Voice of Change

Reparations NOW

Reparations NOW “: from February 15 to March 1, 2025, Barbados hosts a landmark exhibition entitled “Reparations NOW” at the Queens Park Gallery. Curated by Amma Andrea King, Director of C.A.L.L. Barbados, this event brings together over 50 works by 25 Caribbean artists committed to the crucial theme of historical, cultural and social reparations, through an artistic approach that questions, challenges and inspires.

Art at the heart of a quest for social justice

The ” Reparations NOW ” exhibition aims to raise awareness of the importance of CARICOM ‘s 10-Point Plan for Reparations, and to place visual artists at the center of this essential dialogue. Supported by the Caribbean Culture Fund, it contributes to strengthening the regional creative sector, generating a profound social and cultural impact. “We are delighted to be among the first beneficiaries of this major new initiative, which enables Caribbean creatives to freely express their potential and transform society,” says Amma Andrea King.

Reparations NOW

Confronting the past to build the future

The works in the “Reparations NOW” exhibition address head-on the painful legacy of slavery and its repercussions today. For AVANNA, a family collective, “reparations are necessary to confront the future catastrophes we are already experiencing”, whether climate change or economic and social crises. The collective’s three works underline the urgent need for restorative justice.

Reparations NOW

Women and resistance: a powerful vision

Aaron Trotman, through his work “Mawna Pwo” at “Reparations NOW”, challenges viewers to consider the multiple dimensions of female resistance in postcolonial societies. “Reparations are not just financial, they also involve recognizing and restoring the dignity of oppressed communities”, he asserts, reminding us of the importance of protecting and valuing cultural identities.

Reparations NOW

Identity, memory and reconnection

Cher-Antoinette and Gabrielle Moore, among other artists, explore profound themes of identity and collective memory. Cher-Antoinette, with her work “Tree of Life”, emphasizes the need to reconnect with African roots as a means of collective healing. Gabrielle Moore deconstructs the idyllic image of paradise to reveal the hidden tensions of the colonial past. These artists invite the public to engage in essential introspective reflection.

Reparations NOW

Art as a tool for transformation and hope

The “reparations NOW” exhibition demonstrates how art transcends the simple act of creation to become a vector for social change. Digital artist Ronald Williams uses powerful historical symbols to question the viewer’s role as hero or villain, depending on the historical perspective adopted. This complex reflection encourages awareness of painful legacies and the reparations needed to move forward.

Discover the artists

Reparations NOW
Reparations NOW

The “Reparations NOW” exhibition offers an immersive, powerful and deeply engaging artistic experience. It reminds us that the visual arts can play an essential role in societal debate, not only by documenting and denouncing historical injustices, but also by proposing paths towards recognition, intercultural dialogue and collective healing. It’s a powerful invitation to reinvent a fairer, more conscious future together.

Reparations NOW

The “Reparations NOW” exhibition is an essential platform for addressing social and historical issues in the Caribbean. By bringing together artists from diverse and talented backgrounds, it highlights the struggle for justice and recognition of past injustices. This event is not simply an artistic presentation, but a profound and necessary reflection on identity, memory and the need for intercultural dialogue. The works on display encourage a collective commitment to a more equitable and conscious future, while honoring the histories and struggles of different Caribbean communities. In short, this exhibition is a powerful call to reflect on our past in order to better build our future together.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Well mudda sick
HISTORY & HERITAGE
Tolotra

“Well mudda sick!”: But what do these three words really mean?

In the Bahamas, three words are enough to express surprise even before you realize what just happened. Good news breaks, a plan falls through, something exceeds expectations: “Well mudda sick!” might pop up in conversation. Taken literally, the meaning is confusing. In Bahamian usage, however, the expression is much simpler than it seems. Three words that don’t really translate word for word “Well mudda sick!” literally translates to “Well, my mother is sick.” But that’s not what a Bahamian means when they use it. Instead, the expression functions more like an exclamation: “Wow!”, “Oh my!”, “Unbelievable!”, or even “My God!”, depending on the situation and tone. It is precisely this discrepancy that makes it interesting. Someone who knows every single English word can understand the sentence on paper and yet completely miss its meaning in conversation. Here, it’s not just the words that matter. Context, speed, and intonation play a

Read More »
Chattel house
HISTORY & HERITAGE
Tolotra

Chattel House: The Hidden Social History Behind Barbados’ Houses

At first glance, they catch the eye with their wooden facades, their colors, and their simple proportions. Yet Barbados’ chattel houses are not merely an architectural signature. Their form reflects a specific social reality: for a long time, some residents could own their homes without owning the land on which they stood. A chattel house therefore had to be movable. Chattel House: A Home Designed for Traveling To understand this unique aspect, we must look back to the post-emancipation period. In Barbados, the emancipation of enslaved people was completed in 1838. However, the island’s land structure remained deeply shaped by the sugar economy. As early as the 17th century, the expansion of sugarcane cultivation had led to the concentration of land in the hands of large plantations. After emancipation, many workers still lived on land belonging to the plantations. They could build a home and own it, without owning the

Read More »
Bélya Matinik : 10 titres pour faire du bèlè un récit du présent.
MUSIC
Tolotra

Bélya Matinik: 10 tracks that make bèlè a story of the present.

On August 9, 2026, Bélya will officially release *Adoumanman*, a ten-track album conceived as a balance between the bèlè heritage and contemporary creativity. In this album, the Martinican band sets to music themes of migration, memory, transmission, violence, resistance, and hope, without turning a blind eye to the present. Bélya: Heritage as a Starting Point With Adoumanman, Bélya pursues an idea that runs through his artistic approach: remaining deeply rooted in bèlè while allowing this art form to evolve with the times. The group refers to its style as “Bèlè Fusion” and performs k’bel, or kadans bèlè, drawing notably on the rhythms of Samaritan and Arlesian bèlè, as well as the musicians’ experiences with carnival, gospel, zouk, and jazz. The vision behind this new album can be summed up in a few words: “Roots, and openness to the winds of the world”. Adoumanman also uses the phrase “Mi Plézi dann.”

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application