St Barth Film Festival: an open window on Caribbean cinema

St Barth Film Festival

Since its creation in 1996, the St Barth Film Festival has established itself as a significant cultural event on Saint-Barthรฉlemy, offering a unique platform to highlight the richness and diversity of Caribbean cinema. Through its screenings, workshops and exchanges, the festival showcases authentic stories as well as the region’s emerging talents. The 28th edition, scheduled from April 30 to May 3, 2025, promises a complete immersion in the cinematic universe of the Caribbean.

Origins and mission of the St Barth Film Festival

A visionary initiative born in 1996

The St Barth Film Festival also known as “Cinรฉma Caraรฏbe”, was born of the ambitious idea of giving the inhabitants of this island in the French West Indies direct access to the region’s cinematic cultures. Founded by Ellen Lampert-Grรฉaux, Joshua Harrison, Rosemond Grรฉaux, Bรฉnรฉdicte Maudet and Rachel Kaufman, the project was conceived as a cultural link between Caribbean territories and other parts of the world.

From the very first edition, the public’s support confirmed that cinema was a genuine tool for cultural exchange. This recognition led the founders to make the event a long-term one, making the St Barth Film Festival an unmissable annual event on the local cultural scene.

A tribute to Caribbean cinema

The St Barth Film Festival is not just about showing films. It promotes cinema as a means of cultural expression, enabling the unique realities of Caribbean societies to be told. By showcasing talented filmmakers and works from diverse horizons, it plays an active role in strengthening regional cultural identities, while promoting dialogue with other areas.

A meeting place for filmmakers and audiences

The St Barth Film Festival is distinguished by the originality of its projection locations: the A.J.O.E. in Lorient, the Flamands beach, or the quays of the island. These unusual settings add a sensory dimension to the viewing of the works.

Imagine an open-air screening, your feet in the sand, lulled by the sound of the waves, watching a film that expresses a deep Caribbean experience. This atmosphere, unique to Saint-Barthรฉlemy, is what makes this event so special.

Educational workshops for the younger generation

The St Barth Film Festival also plays a structuring educational role. Every year, it organizes workshops in schools across the island. These exchanges give pupils an introduction to cinematographic creation, and awaken their curiosity about an often little-known discipline.

The filmmakers present share their backgrounds and artistic approaches, offering young people a concrete vision of the filmmaking profession. These encounters are essential for building an enlightened public and, perhaps, sparking vocations.

Detailed program: an immersion in world cinema

The 28th edition of the St Barth Film Festival offers a demanding and varied selection of works from the Caribbean and other continents. Here’s an overview of the program:

Wednesday, April 30

  • Discovering Bessie Coleman (Beth Powell) – Portrait of the first African-American woman aviator.
  • Mama Sranan (Tessa Leuwsha) – A story about cultural identity in Suriname.
St Barth Film Festival
Discovering Bessie Coleman (Beth Powell)
St Barth Film Festival
Mama Sranan (Tessa Leuwsha)

Thursday, May 1st

  • Cyrille Rรฉgis: itinerary of a legend – Documentary on an iconic player.
  • Magma (Cyprien Vial) – An introspective look at human complexity.
St Barth Film Festival
St Barth Film Festival
St Barth Film Festival
Magma (Cyprien Vial)

Friday, May 2nd

  • Destins of Exile (Steve James) – Reflections on Caribbean migration.
  • Fanon (Jean-Claude Barny) – A film portrait of the thinker Frantz Fanon.
St Barth Film Festival
Destins dโ€™Exil (Steve James)
St Barth Film Festival
Fanon (Jean-Claude Barny)

Saturday, May 3rd

  • Lisette Malidor: a universal artist (Pierre-Yves Hampartzmoumian) – Tribute to a great artistic figure.
  • End of the Road (Dirk Braun) – Short film on environmental consequences.
  • Adios Buenos Aires (German Kral) – Focus on Argentine culture through tango.
St Barth Film Festival
Lisette Malidor
St Barth Film Festival
End of the Road (Dirk Braun)
St Barth Film Festival
Adios Buenos Aires (German Kral)

The pillars of the festival: Organizers and partners

The St Barth Film Festival is based on the cooperation of committed players. It is run by the Association Cinรฉ St Barth with the support of the Collectivitรฉ de Saint-Barthรฉlemy, the Direction des Affaires Culturelles (DAC) de Guadeloupe, and the Comitรฉ Territorial de Tourisme.

Local organizations – hotels, restaurants, businesses – have also supported this initiative from the outset. Their involvement confirms the structuring role played by the festival in the island’s socio-cultural fabric.

A lasting impact on Caribbean culture

An international showcase for regional cinema

The St Barth Film Festival is a window on Caribbean cinema on an international scale. It attracts renowned directors, producers and actors, and contributes to the networking of professionals in the sector.

The discussions organized enable enriching confrontations of points of view, reinforcing the reach of Caribbean cinema in the global arena.

A promising future for the St Barth Film Festival

By combining cultural transmission, training, artistic creation and openness to the world, the St Barth Film Festival affirms its long-term vocation. Its 28th edition promises to be rich in emotion and reflection, while reaffirming its commitment to the dissemination of Caribbean cultural heritage.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Well mudda sick
HISTORY & HERITAGE
Tolotra

“Well mudda sick!”: But what do these three words really mean?

In the Bahamas, three words are enough to express surprise even before you realize what just happened. Good news breaks, a plan falls through, something exceeds expectations: โ€œWell mudda sick!โ€ might pop up in conversation. Taken literally, the meaning is confusing. In Bahamian usage, however, the expression is much simpler than it seems. Three words that don’t really translate word for word โ€œWell mudda sick!โ€ literally translates to โ€œWell, my mother is sick.โ€ But thatโ€™s not what a Bahamian means when they use it. Instead, the expression functions more like an exclamation: โ€œWow!โ€, โ€œOh my!โ€, โ€œUnbelievable!โ€, or even โ€œMy God!โ€, depending on the situation and tone. It is precisely this discrepancy that makes it interesting. Someone who knows every single English word can understand the sentence on paper and yet completely miss its meaning in conversation. Here, itโ€™s not just the words that matter. Context, speed, and intonation play a

Read More ยป
Chattel house
HISTORY & HERITAGE
Tolotra

Chattel House: The Hidden Social History Behind Barbadosโ€™ Houses

At first glance, they catch the eye with their wooden facades, their colors, and their simple proportions. Yet Barbadosโ€™ chattel houses are not merely an architectural signature. Their form reflects a specific social reality: for a long time, some residents could own their homes without owning the land on which they stood. A chattel house therefore had to be movable. Chattel House: A Home Designed for Traveling To understand this unique aspect, we must look back to the post-emancipation period. In Barbados, the emancipation of enslaved people was completed in 1838. However, the islandโ€™s land structure remained deeply shaped by the sugar economy. As early as the 17th century, the expansion of sugarcane cultivation had led to the concentration of land in the hands of large plantations. After emancipation, many workers still lived on land belonging to the plantations. They could build a home and own it, without owning the

Read More ยป
Bรฉlya Matinik : 10 titres pour faire du bรจlรจ un rรฉcit du prรฉsent.
MUSIC
Tolotra

Bรฉlya Matinik: 10 tracks that make bรจlรจ a story of the present.

On August 9, 2026, Bรฉlya will officially release *Adoumanman*, a ten-track album conceived as a balance between the bรจlรจ heritage and contemporary creativity. In this album, the Martinican band sets to music themes of migration, memory, transmission, violence, resistance, and hope, without turning a blind eye to the present. Bรฉlya: Heritage as a Starting Point With Adoumanman, Bรฉlya pursues an idea that runs through his artistic approach: remaining deeply rooted in bรจlรจ while allowing this art form to evolve with the times. The group refers to its style as โ€œBรจlรจ Fusionโ€ and performs kโ€™bel, or kadans bรจlรจ, drawing notably on the rhythms of Samaritan and Arlesian bรจlรจ, as well as the musiciansโ€™ experiences with carnival, gospel, zouk, and jazz. The vision behind this new album can be summed up in a few words: โ€œRoots, and openness to the winds of the worldโ€. Adoumanman also uses the phrase โ€œMi Plรฉzi dann.โ€

Read More ยป

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richรจs Karayib community! ย Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application