St Barth Film Festival: an open window on Caribbean cinema

St Barth Film Festival

Since its creation in 1996, the St Barth Film Festival has established itself as a significant cultural event on Saint-Barthรฉlemy, offering a unique platform to highlight the richness and diversity of Caribbean cinema. Through its screenings, workshops and exchanges, the festival showcases authentic stories as well as the region’s emerging talents. The 28th edition, scheduled from April 30 to May 3, 2025, promises a complete immersion in the cinematic universe of the Caribbean.

Origins and mission of the St Barth Film Festival

A visionary initiative born in 1996

The St Barth Film Festival also known as “Cinรฉma Caraรฏbe”, was born of the ambitious idea of giving the inhabitants of this island in the French West Indies direct access to the region’s cinematic cultures. Founded by Ellen Lampert-Grรฉaux, Joshua Harrison, Rosemond Grรฉaux, Bรฉnรฉdicte Maudet and Rachel Kaufman, the project was conceived as a cultural link between Caribbean territories and other parts of the world.

From the very first edition, the public’s support confirmed that cinema was a genuine tool for cultural exchange. This recognition led the founders to make the event a long-term one, making the St Barth Film Festival an unmissable annual event on the local cultural scene.

A tribute to Caribbean cinema

The St Barth Film Festival is not just about showing films. It promotes cinema as a means of cultural expression, enabling the unique realities of Caribbean societies to be told. By showcasing talented filmmakers and works from diverse horizons, it plays an active role in strengthening regional cultural identities, while promoting dialogue with other areas.

A meeting place for filmmakers and audiences

The St Barth Film Festival is distinguished by the originality of its projection locations: the A.J.O.E. in Lorient, the Flamands beach, or the quays of the island. These unusual settings add a sensory dimension to the viewing of the works.

Imagine an open-air screening, your feet in the sand, lulled by the sound of the waves, watching a film that expresses a deep Caribbean experience. This atmosphere, unique to Saint-Barthรฉlemy, is what makes this event so special.

Educational workshops for the younger generation

The St Barth Film Festival also plays a structuring educational role. Every year, it organizes workshops in schools across the island. These exchanges give pupils an introduction to cinematographic creation, and awaken their curiosity about an often little-known discipline.

The filmmakers present share their backgrounds and artistic approaches, offering young people a concrete vision of the filmmaking profession. These encounters are essential for building an enlightened public and, perhaps, sparking vocations.

Detailed program: an immersion in world cinema

The 28th edition of the St Barth Film Festival offers a demanding and varied selection of works from the Caribbean and other continents. Here’s an overview of the program:

Wednesday, April 30

  • Discovering Bessie Coleman (Beth Powell) – Portrait of the first African-American woman aviator.
  • Mama Sranan (Tessa Leuwsha) – A story about cultural identity in Suriname.
St Barth Film Festival
Discovering Bessie Coleman (Beth Powell)
St Barth Film Festival
Mama Sranan (Tessa Leuwsha)

Thursday, May 1st

  • Cyrille Rรฉgis: itinerary of a legend – Documentary on an iconic player.
  • Magma (Cyprien Vial) – An introspective look at human complexity.
St Barth Film Festival
St Barth Film Festival
St Barth Film Festival
Magma (Cyprien Vial)

Friday, May 2nd

  • Destins of Exile (Steve James) – Reflections on Caribbean migration.
  • Fanon (Jean-Claude Barny) – A film portrait of the thinker Frantz Fanon.
St Barth Film Festival
Destins dโ€™Exil (Steve James)
St Barth Film Festival
Fanon (Jean-Claude Barny)

Saturday, May 3rd

  • Lisette Malidor: a universal artist (Pierre-Yves Hampartzmoumian) – Tribute to a great artistic figure.
  • End of the Road (Dirk Braun) – Short film on environmental consequences.
  • Adios Buenos Aires (German Kral) – Focus on Argentine culture through tango.
St Barth Film Festival
Lisette Malidor
St Barth Film Festival
End of the Road (Dirk Braun)
St Barth Film Festival
Adios Buenos Aires (German Kral)

The pillars of the festival: Organizers and partners

The St Barth Film Festival is based on the cooperation of committed players. It is run by the Association Cinรฉ St Barth with the support of the Collectivitรฉ de Saint-Barthรฉlemy, the Direction des Affaires Culturelles (DAC) de Guadeloupe, and the Comitรฉ Territorial de Tourisme.

Local organizations – hotels, restaurants, businesses – have also supported this initiative from the outset. Their involvement confirms the structuring role played by the festival in the island’s socio-cultural fabric.

A lasting impact on Caribbean culture

An international showcase for regional cinema

The St Barth Film Festival is a window on Caribbean cinema on an international scale. It attracts renowned directors, producers and actors, and contributes to the networking of professionals in the sector.

The discussions organized enable enriching confrontations of points of view, reinforcing the reach of Caribbean cinema in the global arena.

A promising future for the St Barth Film Festival

By combining cultural transmission, training, artistic creation and openness to the world, the St Barth Film Festival affirms its long-term vocation. Its 28th edition promises to be rich in emotion and reflection, while reaffirming its commitment to the dissemination of Caribbean cultural heritage.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Bonaire salt marshes: pink ponds and white salt mountains in the south of the island
HISTORY & HERITAGE
Tolotra

Bonaire: 3,700 hectares of salt marshes conceal a history of slavery

At the southern tip of Bonaire, a Dutch-speaking island in the Caribbean, the salt marshes stretch out in pink and white basins across nearly 3,700 hectaresโ€”thirteen percent of the islandโ€™s total area. This postcard view, photographed every year by thousands of visitors from the coastal road, hides a history dating back more than five centuries, the story of salt that shaped Bonaireโ€™s economy and, for two hundred years, the lives of hundreds of enslaved people. Along EEG Boulevard, which runs along the southern coast of Bonaire, mountains of white salt come into view kilometers before you reach them. Each contains about 10,000 metric tons of salt that is 99.6% pure, piled nearly 15 meters high, with up to 200,000 metric tons stored at any given time. Their whiteness, so intense that you need to keep sunglasses handy, stands in stark contrast to the pink of the neighboring pools. The salt

Read More ยป
Journรฉes europรฉennes du patrimoine 2026
EVENT MANAGEMENT
Tolotra

European Heritage Days 2026: Martinique Opens Its Archives.

On September 15, at 5 p.m., the conference room of Martiniqueโ€™s Cultural Affairs Department is already packed. Journalists, cultural leaders, organizations, artists, and heritage professionals have gathered to find out what the 43rd edition has in store. With just four days to go before the 2026 European Heritage Days , scheduled for September 19 and 20, this press conference already feels like a journey across Martiniqueโ€”from its Creole huts to its lighthouses, from Saint-Pierre to the monuments we sometimes pass by without really noticing them. European Heritage Days 2026: A Lively Conference Johan-Hilel Hamel, Martiniqueโ€™s director of cultural affairs, opened the meeting without putting on airs. He even warned that the evening would not be a long monologue. The conversation quickly began to flow. A representative from Les Trois-รŽlets speaks, followed by Xavier Nicolas from the Directorate of the Sea, Philippe Villard from the Heritage Foundation, Florence Le Gal from

Read More ยป
caribbean cinema
FILM & VIDEO
Tolotra

S3/10 โ€“ Stories of Caribbean Cinema: Two Perspectives on the Year 1980. Texts by Guillaume Robillard. Ciclic, 2026.

With this third episode, *Stories of Caribbean Cinema* moves into the 1980s. The first two installments covered Cuba, Jamaica, Trinidad and Tobago, and Guadeloupe, from the 1960s through the emergence of Caribbean cinema. This time, two films made in the same year take radically different directions. In Jamaica, *Children of Babylon* explores romantic, sexual, and racial relationships with unusual freedom. In Guadeloupe, *Live Free or Die* draws on several centuries of history centered on the legacy of Commander Ignace. This article is the third installment in a series of ten. Two installments have already been published, and seven more will follow in this chronology of Caribbean cinema. 1980: JAMAICA โ€“ “CHILDREN OF BABYLON”, BY LENNIE LITTLE-WHITE This film is unique in Jamaican cinema and, more broadly, in Caribbean cinema as a whole. Far from the social deprivation of Kingstonโ€™s ghettos, in a villa in the countryside (complete with a swimming

Read More ยป

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richรจs Karayib community! ย Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application