St Eustatius cultural heritage : when senior citizens participate in the island’s future

St Eustatius cultural heritage

In St Eustatius, a small Caribbean island with a rich and often little-known past, transmission is not limited to history books. It is also built through words, living memory and collective commitment. This is precisely the ambition of the Heritage in the Making project, a community initiative that places senior citizens at the heart of the story and questions, with finesse, the St Eustatius cultural heritage in its human, social and forward-looking dimensions.

Supported by Euxtopia Innovations, this project took place over an entire year, in a deliberately long period of time. Time to listen, dialogue, create and, above all, recognize the central role played by seniors in shaping the island’s future. During the festive season, the seniors of St Eustatius received not a material gift, but a much more lasting one: recognition of their voice and their role in contemporary society.

St Eustatius cultural heritage
©Saint-Eustache

Shaping stories, preserving living memory

The St Eustatius cultural heritage is more than just its colonial vestiges and volcanic landscapes. It lives in the memories, experiences and reflections of those who have seen the island evolve over the decades. Heritage in the Making is based on in-depth conversations with senior citizens, organized in the form of guided storytelling sessions and creative workshops.

These exchanges transformed memories, sometimes intimate, sometimes collective, into written accounts and visual works. Participants shared their concerns, their hopes and their vision of the future, contributing to a global reflection on the island’s social, economic and cultural changes. A process that goes beyond the simple preservation of the past to make memory part of an active, forward-looking dynamic.

St Eustatius cultural heritage

A creative team at the service of the community

Under the direction of project manager EEdrieënna Brandao, a committed team accompanied the seniors throughout the process. Alongside community organizer Danielle Rivers, author Fí de Wit and content specialist Sabrina Richardson, the participants evolved within a structured, respectful and caring framework. The approach adopted was based on listening, dialogue and co-creation, ensuring that each voice was fully taken into account.

This methodology strengthened the sense of belonging and recognition, while building bridges between generations. By highlighting the stories told by our elders, the project also offered younger people a more nuanced and embodied reading of the past. St Eustatius cultural heritage far cry from fixed or institutional discourse.

Regional cooperation at the heart of the project

The initiative was distinguished by its regional openness. The collected stories took on a visual dimension thanks to the work of Curaçao-based digital illustrator Dione-Ariadne Bergland, whose works sensitively convey shared memories and emotions. Elton Villarreal, from Trini Inc, also led creative workshops, enabling senior citizens to play an active part in the artistic process.

This trans-Caribbean collaboration illustrates another facet of St Eustatius cultural heritage its place in a regional space where exchanges, influences and solidarity play a key role in contemporary creation.

St Eustatius cultural heritage
©Saint-Eustache

Reflecting on the present to think about the future

On December 6 and 7, brainstorming sessions addressed key themes such as culture, education, community vitality, banking services and infrastructure. These discussions enabled senior citizens to cross-reference their past experiences with their aspirations for the island’s future. An approach that gives the St Eustatius cultural heritage a resolutely political and civic dimension.

On December 10, a preview launch brought together participants to hear the first results of the project. This moment of sharing marked the culmination of a collective journey, and the recognition of the role of senior citizens as agents of change, rather than mere witnesses to the past.

St Eustatius cultural heritage

A publication as archive and transmission tool

The stories and works from the project have been brought together in a carefully designed print publication. Both a cultural document and a community archive, this work helps to preserve local memory while inspiring future generations. It is fully in keeping with the logic of sustainable development of the St Eustatius cultural heritage by combining transmission, creation and civic commitment.

The project was supported by institutional and cultural partners, including the Fonds voor Cultuurparticipatie, Cultuurfonds Caribisch Gebied, local financiers and the Statia Roots Festival. A decisive support for an initiative that demonstrates that culture, when anchored in the territory, becomes a powerful lever for cohesion and collective projection.

Through Heritage in the Making, St Eustatius reminds us that its future is also built by listening to those who carry its memory. A valuable lesson for the Caribbean as a whole, where the St Eustatius cultural heritage is an example of living, participative and deeply human transmission.

Seniors are the bearers of a living memory, transmitted through direct experience. In St. Eustatius, their words document the social, cultural and economic history of the island, while feeding collective reflection on its future.

The project transforms oral histories into lasting written and visual archives. It contributes to preserving St Eustatius cultural heritage while making it accessible, shared and alive for future generations.

Heritage in the Making does more than simply preserve memory. It engages seniors in active reflection on contemporary issues – culture, education, infrastructure – and places the cultural heritage of St Eustatius in a forward-looking dynamic.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Affiche officielle du documentaire Women of Dominica
FILM & VIDEO
Tolotra

Dominique – Women of Dominica: The documentary that brings together ten women ahead of its premiere in Miami

“Women of Dominica” brings together ten women from different generations around a shared narrative: the Creole heritage of Dominica. The documentary, directed by environmental scientist-turned-filmmaker Farrah La Ronde-Hutchison, will have its U.S. premiere on September 5 in Miami, ahead of a wider release scheduled for 2027. Among the voices featured is that of Ophelia Marie, a historic figure in Dominican music. A story of passing down traditions, between a mother and her daughter The Women of Dominica project has its roots in a family story. In 2019, Farrah La Ronde-Hutchison’s mother received the Golden Drum, a Dominican award dedicated to the preservation of traditional Creole attire. She had carried this responsibility for more than thirty-five years, passing down to her daughter the techniques and fabrics of a garment that few in younger generations still know how to tie today. It was this tradition passed down from mother to daughter that

Read More »
Femme jamaïcaine sur une véranda au crépuscule face à un duppy dans la cour
HISTORY & HERITAGE
Tolotra

“Duppy know who fi frighten”—why does this proverb protect the weak?

“Duppy know who fi frighten”: this Jamaican saying resonates from childhood onward, long before we fully understand its meaning. In Jamaica, at dusk, a scene plays out across generations. Children are called back inside before night swallows the garden. There’s no need to argue the point—outside, the duppies lurk, those spirits that didn’t follow the dead to the end of their journey. A man from Old Harbour, now in his eighties, told researchers in 2021 how these stories shaped his childhood evenings—not so much to terrify as to keep the children close to home. From this inherited fear arose a saying that is still heard today throughout the island: “Duppy know who fi frighten”—the duppy knows who to frighten. What does “Duppy know who fi frighten” mean? The Jamaican Patwah online dictionary illustrates the expression with a typical phrase, “Him cyaa try mi, duppy know who fi frighten,” which could

Read More »
gwoka
HISTORY & HERITAGE
Tolotra

Gwoka, the Guadeloupean drum that UNESCO has enshrined in history

In Pointe-à-Pitre, a bronze statue depicts a seated man with a ka drum between his legs. It pays tribute to Vélo, one of the greatest masters of gwoka, the Guadeloupean music that emerged from the resistance to slavery. Since 2014, UNESCO has designated it as a World Heritage Site. A Tambouyé Turned into a Statue Marcel Lollia, known as Vélo, was born on December 7, 1931, and died on June 5, 1984. He trained several generations of ka players—a drum carved from a tree trunk and covered with a stretched skin. He also inspired Akiyo, a cultural movement advocating for identity founded in 1979, which brought gwoka out of the small circles where it was still surviving. On June 5, 2004, twenty years after his death, a statue by sculptor Jacky Poullier was unveiled in Pointe-à-Pitre, modeled after an earlier Guadeloupean portrait dedicated to another of the island’s great figures.

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application