Seatrade Cruise Global 2025: Navigating Generational Shifts to Redesign Shore Experiences in the Cruise Industry

Seatrade Cruise Global

At Seatrade Cruise Global 2025, a panel discussed the changing expectations of cruise travelers, particularly the younger generations, and how these changes require a complete reinvention of the experiences offered ashore.

Seatrade Cruise Global 2025: from guided tour to personalized experience

Moderated by Shannon McKee, President of Access Cruise, the Seatrade Cruise Global 2025 discussion featured key industry figures Tracey Diaz (Princess Cruises), Christine Manjencic (Norwegian Cruise Line Holdings), Marc Melville (Chukka Caribbean Adventures), Leyla R. Osorio (Global Cruises LLC) and Claudine Pohl (Lemoneight).

Right from the outset of Seatrade Cruise Global 2025, it was clear that today’s cruisers expect much more than a simple panoramic tour. “What this new generation is looking for is a real experience,” says Christine Manjencic. She cites the example of a “selfie tour” initially designed for Norwegian Cruise Line and adapted for Oceania Cruises under the title Capturing the Moment – a simple but effective rebranding to appeal to a premium audience.

Seatrade Cruise Global
Christine Manjencic

“Today, a new generation is discovering cruising… and no longer sees it as an activity for retirees.”
Tracey Diaz
reminds us at Seatrade Cruise Global of the extent to which the pandemic has changed expectations: travel is no longer a given, but a privilege. Passengers are now looking for more intimate, truer, more human experiences.

Seatrade Cruise Global
Tracey Diaz

Authenticity, Local Voices, and Storytelling as Value Drivers

For tourism operators, the challenge is twofold: to remain innovative while remaining rooted in reality. For Marc Melville, the answer can be summed up in one word: authenticity. ” Our strength is to be resolutely local, without compromise. What seems commonplace to us is often what makes the biggest impression on a visitor. “

He stresses the importance of storytelling. A gesture as simple as putting your hand on a tree can become a lasting memory, as long as it’s contextualized. “You can’t put a price on a local, authentic experience,” he stresses.

Seatrade Cruise Global
Marc Melville

With a presence in 140 destinations, Leyla Osorio observes that regular cruisers don’t want to relive the same excursion. “We need to offer a new reading of the place, with a different perspective, a different narrative.” At Seatrade Cruise Global, she also emphasizes the importance of adapting excursions to the specific identity of each cruise line.

Seatrade Cruise Global
Leyla Osorio

Experience Design, Collaboration, and Looking Ahead

All the speakers at Seatrade Cruise Global 2025 agree: the future of the industry will depend on innovation, anticipation… and greater collaboration.

Christine Manjencic shared some revealing data on how behavior has changed since the pandemic: “Before COVID, we put excursions online 2 to 3 months before the cruise, and only 20% were sold in advance.”

“Today, we open 365 days and reach 75% pre-sales.”

She adds, not without pride: “In 2019, we sent 4.3 million passengers on shore excursions. Last year, we came close to 6 million.”

This spectacular growth shows just how essential anticipation, trend monitoring and personalization have become in the design of our offers.

Claudine Pohl reminds us at Seatrade Cruise Global 2025 that the skill to tell a story is as valuable as the itinerary itself. “Without training in speaking, your guides won’t convey the experience.”

Leyla Osorio, for her part, insisted on an essential new dimension in experience design: “An excursion must be immersive, authentic… and photogenic.“
In an age of travel dictated by social networks, it’s no longer enough to have an experience: you have to be able to share it, visually, and derive “bragging rights” from it.
She encourages destinations to incorporate striking elements – aesthetic, symbolic, Instagrammable – that become memories as much as social proof.

Seatrade Cruise Global

Finally, Marc Melville, speaking at Seatrade Cruise Global 2025, concluded with an appeal for commitment: “The Caribbean has never had so many opportunities. Let’s seize them. Let’s work hand in hand with our cruise partners to make our islands shine even brighter. “

Seatrade Cruise Global
Seatrade Cruise Global
Shannon McKee
Seatrade Cruise Global

Cruisers are no longer looking for tours, but for emotions.

This panel provides a valuable compass for Caribbean territories wishing to remain attractive to cruisers in search of meaning and authenticity.

👉 Fully embracing local roots. As Marc Melville points out, “What is banal to you can become extraordinary to a visitor.” It’s essential to focus on storytelling, sensory immersion and cultural expression, rather than conforming to globalized standards.

👉 Offer exclusive cruising value. An on-shore product has to offer something that visitors can’t book alone on the Internet. Sometimes it’s a gesture, a dish, a symbolic place or a moment to share… as long as it touches.

👉 Cooperation at all levels. Claudine Pohl reminds us of the importance of mobilizing cab drivers, craftsmen, guides and local authorities. A simple, well-thought-out “Welcome” or visual staging can transform the experience.

In short, it’s no longer just a matter of welcoming, but of passing on a story.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Silver Magellan Award 2026 logo awarded to Martinique for its culinary heritage
CULINARY ART
Tolotra

2026 Silver Magellan Award: Martinique Showcases Its Cuisine on the International Stage

Martinique has just won a 2026 Silver Magellan Award for its culinary heritage. Presented by Travel Weekly, this award honors the Martinique Tourism Board in the category of Caribbean culinary destinations. This international recognition highlights the island’s flavors, its culinary expertise, and a growing ambition: to make Martinican cuisine a true travel experience. 2026 Silver Magellan Award: An Accolade for Martinican Cuisine The results of the 2026 Travel Weekly Magellan Awards are now available on the competition’s official website. Martinique is among the winners, having received a silver medal in the “Caribbean – Overall Destinations – Culinary Destination” category. The Martinique Tourism Committee’s (CMT) entry, titled “Martinique: Where Culinary Heritage Comes to Life,” highlights a destination where culinary heritage continues to thrive and be passed down through the generations. Organized by the U.S. trade publication Travel Weekly, the Magellan Awards recognize achievements in various areas of international tourism. Entries are

Read More »
St. George's Cathedral in Georgetown, Guyana, a wooden Anglican church
TOURISM
Tolotra

St. George’s Cathedral in Georgetown: 43.5 meters of wood after the brick

St. George’s Cathedral in Georgetown, Guyana, is approximately 43.5 meters tall and is built of wood. Consecrated on November 8, 1894, it replaced a brick cathedral, completed in 1842, whose tower was deemed too heavy for its foundations. Its history is that of a building made of greenheart, a hardwood native to Guyana, which the diocese must continue to protect. In January 2015, Dean Paul Andrew Carto, rector of St. George’s Cathedral in Georgetown, Guyana, warned that the building’s problems would not be solved by barbecues and bake sales. That statement sums up the challenge facing this landmark. In Georgetown, St. George’s Anglican Church is a large, 43.5-meter-tall wooden structure, and wood requires constant maintenance. St. George’s Cathedral, a 43.5-meter-tall wooden structure in Georgetown St. George’s Cathedral in Georgetown, the capital of Guyana, stands on Church Street and is approximately 43.5 meters, or 143 feet, tall. The UNESCO Tentative List

Read More »
cinémas caribéens
FILM & VIDEO
Tolotra

S6/10 – Stories of Caribbean Cinema, Dancehall, Memory, and Cuban Satire. Texts by Guillaume Robillard. Ciclic, 2026.

We’ve reached the halfway point of the series “Stories of Caribbean Cinema.” The first four episodes have spanned nearly three decades of cinema, from Cuba in the 1960s to productions from Martinique and Curaçao in the 1980s. This fifth installment moves into the 1990s with two films set in very different worlds. Euzhan Palcy’s *Siméon* delves into a Caribbean imagination where music, ghosts, and magical realism converge. Raoul Peck’s *The Man on the Quay* revisits François Duvalier’s dictatorship in Haiti through the eyes of a child. You are now reading the fifth episode in a series of ten. Four episodes have already been published on Richès Karayib, and five more will follow in this series through 2025. 1997: JAMAICA – “DANCEHALL QUEEN” BY RICK ELGOOD & DON LETTS Dancehall Queen is one of many Jamaican films that follow the formula established by *The Harder They Come* (Perry Henzell, 1972): Jamaican

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application