Seatrade Cruise Global 2025: Navigating Generational Shifts to Redesign Shore Experiences in the Cruise Industry

Seatrade Cruise Global

At Seatrade Cruise Global 2025, a panel discussed the changing expectations of cruise travelers, particularly the younger generations, and how these changes require a complete reinvention of the experiences offered ashore.

Seatrade Cruise Global 2025: from guided tour to personalized experience

Moderated by Shannon McKee, President of Access Cruise, the Seatrade Cruise Global 2025 discussion featured key industry figures Tracey Diaz (Princess Cruises), Christine Manjencic (Norwegian Cruise Line Holdings), Marc Melville (Chukka Caribbean Adventures), Leyla R. Osorio (Global Cruises LLC) and Claudine Pohl (Lemoneight).

Right from the outset of Seatrade Cruise Global 2025, it was clear that today’s cruisers expect much more than a simple panoramic tour. “What this new generation is looking for is a real experience,” says Christine Manjencic. She cites the example of a “selfie tour” initially designed for Norwegian Cruise Line and adapted for Oceania Cruises under the title Capturing the Moment – a simple but effective rebranding to appeal to a premium audience.

Seatrade Cruise Global
Christine Manjencic

Today, a new generation is discovering cruising… and no longer sees it as an activity for retirees.”
Tracey Diaz
reminds us at Seatrade Cruise Global of the extent to which the pandemic has changed expectations: travel is no longer a given, but a privilege. Passengers are now looking for more intimate, truer, more human experiences.

Seatrade Cruise Global
Tracey Diaz

Authenticity, Local Voices, and Storytelling as Value Drivers

For tourism operators, the challenge is twofold: to remain innovative while remaining rooted in reality. For Marc Melville, the answer can be summed up in one word: authenticity. ” Our strength is to be resolutely local, without compromise. What seems commonplace to us is often what makes the biggest impression on a visitor.

He stresses the importance of storytelling. A gesture as simple as putting your hand on a tree can become a lasting memory, as long as it’s contextualized. “You can’t put a price on a local, authentic experience,” he stresses.

Seatrade Cruise Global
Marc Melville

With a presence in 140 destinations, Leyla Osorio observes that regular cruisers don’t want to relive the same excursion. “We need to offer a new reading of the place, with a different perspective, a different narrative.” At Seatrade Cruise Global, she also emphasizes the importance of adapting excursions to the specific identity of each cruise line.

Seatrade Cruise Global
Leyla Osorio

Experience Design, Collaboration, and Looking Ahead

All the speakers at Seatrade Cruise Global 2025 agree: the future of the industry will depend on innovation, anticipation… and greater collaboration.

Christine Manjencic shared some revealing data on how behavior has changed since the pandemic: “Before COVID, we put excursions online 2 to 3 months before the cruise, and only 20% were sold in advance.”

“Today, we open 365 days and reach 75% pre-sales.”

She adds, not without pride: “In 2019, we sent 4.3 million passengers on shore excursions. Last year, we came close to 6 million.”

This spectacular growth shows just how essential anticipation, trend monitoring and personalization have become in the design of our offers.

Claudine Pohl reminds us at Seatrade Cruise Global 2025 that the skill to tell a story is as valuable as the itinerary itself. “Without training in speaking, your guides won’t convey the experience.

Leyla Osorio, for her part, insisted on an essential new dimension in experience design: “An excursion must be immersive, authentic… and photogenic.
In an age of travel dictated by social networks, it’s no longer enough to have an experience: you have to be able to share it, visually, and derive “bragging rights” from it.
She encourages destinations to incorporate striking elements – aesthetic, symbolic, Instagrammable – that become memories as much as social proof.

Seatrade Cruise Global

Finally, Marc Melville, speaking at Seatrade Cruise Global 2025, concluded with an appeal for commitment: “The Caribbean has never had so many opportunities. Let’s seize them. Let’s work hand in hand with our cruise partners to make our islands shine even brighter.

Seatrade Cruise Global
Seatrade Cruise Global
Shannon McKee
Seatrade Cruise Global

Cruisers are no longer looking for tours, but for emotions.

This panel provides a valuable compass for Caribbean territories wishing to remain attractive to cruisers in search of meaning and authenticity.

👉 Fully embracing local roots. As Marc Melville points out, “What is banal to you can become extraordinary to a visitor.” It’s essential to focus on storytelling, sensory immersion and cultural expression, rather than conforming to globalized standards.

👉 Offer exclusive cruising value. An on-shore product has to offer something that visitors can’t book alone on the Internet. Sometimes it’s a gesture, a dish, a symbolic place or a moment to share… as long as it touches.

👉 Cooperation at all levels. Claudine Pohl reminds us of the importance of mobilizing cab drivers, craftsmen, guides and local authorities. A simple, well-thought-out “Welcome” or visual staging can transform the experience.

In short, it’s no longer just a matter of welcoming, but of passing on a story.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

gwoka
HISTORY & HERITAGE
Tolotra

Gwoka, the Guadeloupean drum that UNESCO has enshrined in history

In Pointe-à-Pitre, a bronze statue depicts a seated man with a ka drum between his legs. It pays tribute to Vélo, one of the greatest masters of gwoka, the Guadeloupean music that emerged from the resistance to slavery. Since 2014, UNESCO has designated it as a World Heritage Site. A Tambouyé Turned into a Statue Marcel Lollia, known as Vélo, was born on December 7, 1931, and died on June 5, 1984. He trained several generations of ka players—a drum carved from a tree trunk and covered with a stretched skin. He also inspired Akiyo, a cultural movement advocating for identity founded in 1979, which brought gwoka out of the small circles where it was still surviving. On June 5, 2004, twenty years after his death, a statue by sculptor Jacky Poullier was unveiled in Pointe-à-Pitre, modeled after an earlier Guadeloupean portrait dedicated to another of the island’s great figures.

Read More »
Barbuda
TOURISM
Tolotra

Barbuda: More than 5,000 frigatebirds in an extraordinary lagoon.

In Barbuda, the show begins even before you spot the birds. There is no road leading to the Codrington Lagoon sanctuary. You have to board a boat, travel across the water through the mangroves, and then watch as the black silhouettes of the magnificent frigatebirds (Fregata magnificens) come into view—their colony is one of the largest in the Caribbean. This fact alone is enough to reveal another side of Barbuda. Beyond its pink beaches, the island is home to a lagoon where more than 5,000 of these birds have been recorded, in a colony where a scientific survey counted 1,743 nests. Here, you discover the destination by looking up and understanding the role this lagoon plays in the balance of the entire island. A Ramsar-designated lagoon, nestled between mangroves and reefs The Codrington Lagoon covers 3,600 hectares and has been recognized as a wetland of international importance under the Ramsar

Read More »
Man Mélé
VISUAL ARTS
Tolotra

Martinique – Cécile Vernant: Behind the Scenes of “Man Mélé!” at the Senate’s Orangerie.

At the Senate Orangery, Man Mélé! took on a dimension that Cécile Vernant could not have fully anticipated before the doors opened. As the days went by, the exhibition became a space for encounters, conversations, and exchanges between artists and visitors. Surrounding the artworks, discussions revolved around Martinique and nature, but also memories, cultures, and sensibilities from far beyond the island. The calm before the crowd arrives Every morning, Cécile Vernant arrived before the park opened at 11 a.m. The garden was quiet. She would pass joggers, watch the tai chi groups among the chestnut trees, and enjoy the scent of the flowers. She loved this “calm before the storm.” A few hours later, the atmosphere would change. Cécile Vernant estimates that the Orangerie, which is about 600 m², could accommodate up to 400 visitors at its peak over the course of three to four hours. The busiest day reportedly

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application