Martinique – Rendez-vous aux jardins 2025: an evening of art, links and living memory

Rendez-vous aux jardins

In Fort-de-France, the 22ᵉ edition of Rendez-vous aux jardins (Rendez-vous in the Gardens) brought together artists, cultural players and citizens around a reinvented garden. Between installations, poetry, music and inspiring speeches, let’s take a look back at an evening where art and living things forge unexpected links.

“Create uncontrollable relational flows.”


This sentence from Que peut la littérature quand elle ne peut by Patrick Chamoiseau ran through the inaugural evening of the Rendez-vous aux jardins, held on June 5 at the Direction des affaires culturelles (DAC) de Martinique.

Under the national theme Jardin de pierre, pierre de jardin, the event transformed the garden of the Villa des Pergolas into a space for encounters and creation.
Artists, architects, institutions, musicians, thinkers and the general public shared a rare moment: a time when the island’s natural heritage entered into dialogue with the arts and the aspirations of a world in transformation.

Rendez-vous aux jardins

Gardens in resonance: between contemporary creation and living memory

This year, the DAC garden played host to an original installation designed by architects Habité. Inspired by the stone flows of Mount Pelée, the installation features Pozzolana in a sensitive dialogue with plants, a scenography that will evolve over time.

This setting provided a natural setting for the works of several artists:

– Photographs by Jean-François Gertrude, from the Five Senses in the Garden project, highlighting the island’s remarkable gardens;

– sculptures by Isaï Étifier, working with paper and reclaimed clay, born of a sensory experience in the heart of the Cape Solomon forest.

“The relationship with stone asks us about our anchorage, about transformation, in an increasingly dematerialized world” confided the artist, offering a particular resonance to this edition.

Rendez-vous aux jardins
Rendez-vous aux jardins
Rendez-vous aux jardins

An evening of encounters: when the arts weave another collective narrative

As soon as the evening opened, DAC director Johan-Hilel Hamel reminded us of the team’s philosophy:
“We imagined this evening thanks to Patrick Chamoiseau’s texts, with this desire to create uncontrollable relational flows. All the region’s vital forces are represented here. A work of art, a cultural event, is always born of encounters and friction.

He also paid tribute to the commitment of all the DAC teams, mobilized throughout the year to bring cultural policy to life in Martinique, and particularly in the organization of this unifying evening.

Rendez-vous aux jardins

To open the event, writer Manuel Norvat read a poetic text, inviting us to meditate on the symbolic power of stone in the Caribbean imagination and in Chamoiseau’s work:
“Philosopher’s stone, world-stone, talisman capable of disorienting absolutes, opening up imaginations.”

Then Patrick Chamoiseau himself addressed an attentive audience:
“The world is about to undergo radical upheaval. We need to rethink our foundations, our imaginations. We need to enter a plural, creative economy, in which art plays an essential role.”

A strong call to conceive the garden – and by extension the world – as a space in perpetual creative relationship, beyond inherited divides.

Rendez-vous aux jardins

“We are not just forces caught up in a system. Art enables us to rediscover meaning, to fulfill ourselves as human beings,” Martinique’s Prefect concluded.

Rendez-vous aux jardins

This moment of exchange paved the way for an evening of music, with pianist Maher Beauroy and singer Florence Bodin performing an extract from their Insulae project, a crossroads tribute between Martinique and Algeria.
The public then continued their exchanges in the illuminated gardens, around the works of art, in a spirit of convivial encounter and sharing.

Rendez-vous aux jardins
Rendez-vous aux jardins
Rendez-vous aux jardins

Transmission and re-enchantment: the garden as a space of openness

Rendez-vous aux jardins

In addition to this evening event, Rendez-vous aux jardins 2025 offered a rich program of 27 events on the island:

educational workshops in schools ;

creative stone workshops (engraving, painting, rocaille) ;

storytelling walks in remarkable gardens ;

– lectures on Native American petroglyphs and underwater gardens.

The event’s openness to young audiences and the mobilization of eco-places illustrate its potential to renew the link between natural heritage, cultural memory and intergenerational transmission.

A catalyst for renewing the link between arts, territory and society

In keeping with Patrick Chamoiseau’s words, this year’s Rendez-vous aux jardins in Martinique went beyond the simple heritage framework.
It revealed the garden as a political, poetic and relational space – a stage on which to invent a new relationship with the living and with others.

By creating this “uncontrollable relational flow”, the evening of June 5 enabled everyone – artist, cultural player or citizen – to become part of a shared narrative, rich in meaning and open to the unexpected.

A fertile ground for imagining, together, new cultural and civic horizons in Martinique.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Doh study it
HISTORY & HERITAGE
Tolotra

“Doh study it”: When Trinidad Learns to Let Go

A comment keeps running through your mind. A coworker spoke too hastily, a loved one criticized your decision, or a minor annoyance suddenly feels like a big deal. In Trinidad, the response might be as simple as: “Doh, study it”. Depending on the situation, it means “don’t worry,” “don’t pay any attention to it,” or “don’t let it get to you.” “Doh study it” is part of Trinidad English Creole, an English-based creole language used in informal communication in Trinidad. The Atlas of Pidgin and Creole Language Structures notes that it plays an important role in everyday communication and national identity, while coexisting with official English. Trinidadian Creole also differs from the Creole spoken in Tobago, even though the two islands form a single country. What does “Doh study it” really mean? In standard English, the verb to study First and foremost, it refers to the act of studying, examining,

Read More »
Bonaire
TOURISM
Tolotra

Bonaire: Three markets account for 85.5% of visitors

Bonaire welcomed 13,387 overnight visitors in June 2026, according to preliminary data from the Tourism Corporation Bonaire. Visitor numbers declined slightly by 1.6% year-over-year. The most revealing information, however, lies in the travelers’ countries of origin: the Netherlands, the United States, and Curaçao together accounted for 85.5% of arrivals. Bonaire’s visitor numbers remain close to 2025 levels In June 2026, the island welcomed 13,387 visitors, compared with 13,606 a year earlier. The difference amounts to 219 fewer arrivals. This variation remains limited, especially when viewed over a longer period: by June 2025, attendance had increased by 12,2 % compared to June 2024. The 2026 figure therefore reflects more of a stabilization following the sharp increase recorded the previous year. The 1.6% decline provides a useful point of comparison, while trends in the major markets offer a more accurate picture of visitor numbers. Three markets bring 11,445 visitors to Bonaire The

Read More »
Brimstone Hill Fortress
TOURISM
Tolotra

Brimstone Hill Fortress: Two Centuries of History at the Summit of Saint Kitts

To the northwest of Saint Kitts, the walls of Brimstone Hill Fortress overlook the coast from a volcanic hill nearly 240 meters high. Behind the panoramic view lies a more complex history: that of a fortress designed by the British, built and maintained by enslaved Africans, and designated aUNESCO World Heritage Site in 1999. Brimstone Hill Fortress, a citadel perched atop a volcano As you climb Brimstone Hill, the sea comes into view between the steep slopes and the dark stone ramparts. From this natural vantage point, soldiers could observe the western coast of Saint Kitts and keep watch for the possible arrival of enemy ships. The location was far from insignificant. This volcanic hill, nearly 800 feet high, had steep, hard-to-access slopes. It thus offered a prime vantage point and a defensive refuge in the event of a naval attack. Nevertheless, the builders had to adapt their techniques to

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application