Martinique – Jordan Beal: A photographic exploration at unRepresented

Jordan Beal

The unRepresented fair, dedicated to artists not represented in galleries, offers an exceptional showcase this year to Jordan Beal, a photographer from Martinique whose work pushes back the boundaries of traditional photography. The first winner of the grant to support contemporary French Caribbean and Amazonian creation, he is exhibiting his “Corrosion” series in Paris, a work that questions our perception of nature and territory. This event marks an important milestone for this emerging artist and for the recognition of talent from the Caribbean.

Who is Jordan Beal?

Jordan Beal, born in 1991 in Martinique, is a photographer whose artistic approach is distinguished by its experimental character and unique sensibility. From the outset, he has shown a keen interest in exploring the interactions between man and his natural environment.

In 2022, he presented “Pour faire le portrait d’une fleur” at Tropiques Atrium. This monographic exhibition showcased a daring technique: certain photographic prints were buried underground for several weeks. This symbolic process aimed to restore to nature what it had inspired in the artist, creating works marked by the imprint of time and natural elements.

Jordan Beal’s art transcends the traditional boundaries of photography. His work questions concepts such as territory, natural and political boundaries, and the transformations undergone by nature in an ever-changing world.

Bursary to support French contemporary creation in the Caribbean and Amazon regions

This grant, initiated by Rubis Mécénat, La Station Culturelle (Martinique) and unRepresented, aims to promote emerging artists from the Caribbean and Amazon territories. It responds to a crucial need: to offer greater visibility and professional resources to creators who are often marginalized on the international art scene.

The main objective is twofold:

  • Supporting artistic production: Artists receive funding to carry out their projects.
  • Supporting their professional development: A personalized program of meetings with experts from the artistic world is set up.

For Jordan Beal, this grant has been decisive. It enabled him to exhibit his “Corrosion” series in a prestigious setting, while strengthening his presence on the European art scene. It also illustrates the importance of promoting talent from regions that are often under-represented in the global cultural landscape.

The "Corrosion" series: A work between abstraction and reality

The “Corrosion” series represents a turning point in Jordan Beal’s career. This work explores the limits of the photographic medium by integrating chemical processes, double exposures and artistic cut-outs. These techniques enable the initial image to be transformed into an abstract composition where reality and the imaginary mingle.

The central themes of “Corrosion” include:

  • The relationship between man and his natural environment.
  • Chemical transformations as a metaphor for the passage of time.
  • The blurred boundaries between abstraction and figuration.

Through these works, Jordan Beal offers a poetic reflection on notions of territory and identity. The landscapes he creates are imbued with an enigmatic beauty, inviting the viewer to rediscover the world from a new angle.

Jordan Beal
Jordan Beal, Corrosion 07, 2025, inkjet print on deteriorated Hahnemühle Ultra Smooth paper from scan of deteriorated negative, 24 × 30 cm. Jordan Beal.
Jordan Beal
Jordan Beal, Corrosion 06, 2025, inkjet print on deteriorated Hahnemühle Ultra Smooth paper from scan of deteriorated negative, 24 × 30 cm. Jordan Beal.

Exhibition at unRepresented

The unRepresented fair has established itself as an essential space for artists not represented in galleries. Dedicated to aesthetic experimentation, the event showcased emerging talent while providing a platform for exploring new forms of artistic expression.

This year, the show was held at Le Molière, in the heart of Paris. Jordan Beal’s solo exhibition stood out for its boldness and originality. From April 4 to 6, 2025, visitors were able to discover the “Corrosion” series, a work that defied photographic convention while celebrating the cultural richness of the Caribbean.

Why is this exhibition important?

  • It gave Jordan Beal international exposure.
  • She highlighted the dynamism of the Caribbean art scene.
  • She illustrated the importance of initiatives like unRepresented to promote emerging artists.
Jordan Beal
Jordan Beal, Corrosion 05, 2024, pigment print on Hahnemühle Ultra Smooth paper from scan of damaged negative, 60 × 48 cm. © Jordan Beal.
Jordan Beal
Jordan Beal, Corrosion 04, 2023, pigment print on Hahnemühle Ultra Smooth paper from scan of deteriorated negative, 75 × 60 cm. Jordan Beal.
Jordan Beal
Jordan Beal, Corrosion 09, 2024, deteriorated 4 × 5 negative, 10 × 12 cm. Jordan Beal.

A lasting impact on the Caribbean art scene

Jordan Beal embodies a new generation of Caribbean artists who are pushing the boundaries of traditional mediums while exploring universal themes such as identity, territory and nature. His success at unRepresented testifies to the immense potential of this often underestimated region on the global art scene.

Thanks to this grant and his Paris exhibition, he is paving the way for other artists from the Caribbean and Amazon. He demonstrates that these territories are not only rich in biodiversity, but also in cultural creativity.

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

Philippe Faure-Brac
NEWS
Tolotra

Philippe Faure-Brac at Habitation Clément: Martinique rum as seen by a great sommelier.

Philippe Faure-Brac had never visited Habitation Clément before. World’s Best Sommelier 1992, member of the Meilleurs Ouvriers de France with honorary status since 2015, he came to Martinique to look at rhum agricole from its very place of production: the cane, the cellars, the bottling and the tasting. A first visit to Habitation Clément At Habitation Clément, in Le François, this visit had a special significance. Philippe Faure-Brac was already familiar with Clément rums, their quality positioning and their universe. He had also contributed to the book Rhum Clément, une histoire de famille, bringing his insight into the house’s aromatic precision, balance and tradition of excellence. But he lacked the experience of the place. That of the light, the temperature, the atmosphere of the winery and the exchanges with the teams. “The first time in Martinique? I was going to say finally,” he confided, recalling that he had been hoping

Read More »
Boiling Lake
TOURISM
Tolotra

Boiling Lake: 92 °C, 63 m wide, the 2nd largest bubbling lake in the world

Just 8 kilometers east of Roseau, the capital of Dominica, it’s a three-hour walk from Laudat to Boiling Lake. Three hours of humid forest, desolate valley, soil-heated rocks and sulfurous fumes. At the end of the path, a 63-metre-wide pool. Inside, the water bubbles almost continuously, with temperatures measured up to 91.6°C at the edges. It’s the second largest bubbling lake in the world. A rare phenomenon in a UNESCO park The world’s first is Frying Pan Lake in New Zealand’s Waimangu Valley. But the Dominican Boiling Lake is in a class of its own. Firstly, because it can only be reached on foot, after a demanding hike. Secondly, because it is part of a national park that has been a UNESCO World Heritage Site since 1997: Morne Trois Pitons National Park. This makes it one of the most singular geothermal phenomena protected in a world-renowned natural site. A flooded,

Read More »
Tourisme 3.0
TOURISM
Tolotra

Tourism 3.0: Jamaica wants to keep its tourist wealth

At the Montego Bay Convention Centre, the image speaks for itself. Local entrepreneurs showcase their products, hotel representatives circulate, meetings follow one another. Behind these rapid exchanges, one question weighs heavily: when tourism makes money, how much really stays in Jamaica? This is at the heart of Tourism 3.0, the new direction championed by Jamaica’s Minister of Tourism, Edmund Bartlett. At the Tourism Enhancement Fund’s 11th Speed Networking Event, he set out a clear ambition: to make tourism a more direct driver for Jamaican producers, artisans, manufacturers and suppliers. Tourism that no longer just wants to attract Jamaica knows how to welcome visitors. But the challenge is no longer just to fill hotels or increase arrivals. The real challenge is to retain more value in the territory. Edmund Bartlett has recognized a structural weakness: a large proportion of the goods and services consumed by the tourism industry are still imported.

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application