“Women of Dominica” brings together ten women from different generations around a shared narrative: the Creole heritage of Dominica. The documentary, directed by environmental scientist-turned-filmmaker
“Duppy know who fi frighten”: this Jamaican saying resonates from childhood onward, long before we fully understand its meaning. In Jamaica, at dusk, a scene
In Pointe-à-Pitre, a bronze statue depicts a seated man with a ka drum between his legs. It pays tribute to Vélo, one of the greatest
In Barbuda, the show begins even before you spot the birds. There is no road leading to the Codrington Lagoon sanctuary. You have to board
At the Senate Orangery, Man Mélé! took on a dimension that Cécile Vernant could not have fully anticipated before the doors opened. As the days
At the Curaçao Museum, faces seem to speak to one another. Some are familiar; others evoke families, trades, stories, and expressions passed down through the
Oil Down, Grenada’s national dish, fits into a single pot but represents much more than just a meal. Breadfruit, callaloo, coconut milk, dumplings, meats, and
In Curaçao, Ser’i Neger today bears witness to the history of the former Fontein plantation. On August 25, 1795, this landscape became one of the
In the Dominican Republic, an encounter can begin with three words that might baffle anyone who translates Spanish literally. A friend arrives, a message pops
In its first appearance at the 37th CBU Media Awards, Richès Karayib walked away with four honors: two Awards and two Special Mentions. The results
“Women of Dominica” brings together ten women from different generations around a shared narrative: the Creole heritage of Dominica. The documentary, directed by environmental scientist-turned-filmmaker
“Duppy know who fi frighten”: this Jamaican saying resonates from childhood onward, long before we fully understand its meaning. In Jamaica, at dusk, a scene
In Pointe-à-Pitre, a bronze statue depicts a seated man with a ka drum between his legs. It pays tribute to Vélo, one of the greatest
In Barbuda, the show begins even before you spot the birds. There is no road leading to the Codrington Lagoon sanctuary. You have to board
At the Senate Orangery, Man Mélé! took on a dimension that Cécile Vernant could not have fully anticipated before the doors opened. As the days
At the Curaçao Museum, faces seem to speak to one another. Some are familiar; others evoke families, trades, stories, and expressions passed down through the
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