OECS: 10 automated terminals for smoother, more secure borders in Saint Lucia

OECO

The OECS continues its regional modernization with a landmark initiative in Saint Lucia: the commissioning of automated kiosks at the country’s two main airports. A decisive step towards smoother, more technological and more secure border management in the Caribbean.

A forward-looking regional project

The OECS Commission (Organization of Eastern Caribbean States) has handed over ten self-service kiosks to Saint Lucia: eight at Hewanorra International Airport (HIA) and two at George F. L. Charles International Airport. This state-of-the-art equipment enables travellers to complete entry formalities themselves, reducing waiting times and congestion in arrival halls.

This operation is part of the OECS Border Management Improvement Program, financed by the European Union through the Regional Integration Through Growth Harmonisation and Technology (RIGHT) program. This partnership illustrates the regional organization’s determination to strengthen cooperation between its member states, while relying on technology as a lever for efficiency and security.

OECS
©OECS

Automated kiosks for a better passenger experience

With this installation, Saint Lucia becomes a concrete example of digital transformation at the service of tourism. The new automated kiosks scan passports, capture fingerprints and speed up data verification, while maintaining a high level of security.

The aim is twofold: to facilitate travel for the region’s nationals, particularly those from CARICOM and the OECS, and to strengthen the country’s ability to identify and filter high-risk passengers. This intelligent approach illustrates the balance the region is seeking to strike between opening up tourism and tightening controls.

OECS
©OECS

Strong words from Caribbean leadership

At the official handover ceremony at Hewanorra International Airport, OECS Director General Dr Didacus Jules emphasized the strategic significance of this development:

“As global tourism becomes more competitive, travelers are looking not only for beautiful destinations, but also for an efficient, seamless and secure entry experience.”

Dr Didacus Jules emphasized that modernizing ports of entry is an essential pillar for supporting the economic growth of member states and reinforcing the international perception of an organized, technological and welcoming Caribbean.

OECS
©OECS

For his part, Saint Lucia’s Minister of the Interior, Crime Prevention and Persons with Disabilities, Hon. Jeremiah Norbert, praised the investment:

“To maintain the global competitiveness of our tourism sector and meet security challenges, efficient border management systems are essential. They must deny entry to at-risk passengers while offering smooth passage to legitimate travelers.”

These declarations reflect a shared vision: to make the OECS area a model of harmonized regional management, where technological innovation is integrated with the imperatives of sovereignty and mobility.

OECO
©OECS

A regional program already underway

The handover of ten kiosks in Saint Lucia comes just a few months after a similar initiative in Grenada, where six kiosks were delivered in March 2025. Eventually, the OECS Commission aims to equip all member states: Antigua and Barbuda, Dominica, Saint Kitts and Nevis, Saint Vincent and the Grenadines, Montserrat, as well as associated territories such as Anguilla and the British Virgin Islands.

Beyond infrastructure, the aim is to establish a framework for cooperation and data sharing to harmonize entry procedures, strengthen traceability and ensure better coordination between immigration services.

The initiative is thus aligned with the OECS’ regional priorities, which aim to accelerate digital transformation, boost sustainable tourism and improve regional connectivity. Technology becomes a strategic tool to accompany the mobility of Caribbean citizens while supporting economic competitiveness.

OECO
©OECS
OECO
©OECS

Saint Lucia, showcase of a new Caribbean era

For Saint Lucia, this partnership with the OECS and the European Union symbolizes a major step forward. The island is reinforcing its image as a modern, welcoming destination, with infrastructures that meet international standards. The automation of entry points is set to reduce waiting times, improve visitor satisfaction and optimize the management of tourist flows – a crucial issue for a country where tourism accounts for over 60% of GDP.

But beyond the immediate gain, this initiative reflects the political will to place Saint Lucia on a regional trajectory of digital integration. By relying on the structure and coordination of the OECS, the island benefits from a common framework of expertise, financing and training, while contributing to the construction of an interconnected Eastern Caribbean.

OECO
©OECS

Towards intelligent regional connectivity

OECS is demonstrating its ability to combine vision, financing and execution in projects with a tangible impact. The installation of these terminals is more than just a technological gesture: it symbolizes the growing power of a region that is modernizing its infrastructure, reinforcing safety and making mobility more fluid.

At a time when competition between tourist destinations is intensifying, this modernization positions the Eastern Caribbean in a strategic niche: that of an integrated, safe and technologically advanced area.

By uniting its members around tangible initiatives, the OECS is once again asserting its role as a regional driving force, in the service of a more efficient, more connected and resolutely forward-looking Caribbean.

OECO
©OECS
OECO
©OECS
OECO
©OECS
OECO
©OECS

Leave a Reply

Your email address will not be published. Required fields are marked *

More articles from RK

cinémas caribéens
FILM & VIDEO
Tolotra

Stories of Caribbean Cinema, Maroon Culture, Transmission, and the Imagination. Texts by Guillaume Robillard. Ciclic, 2026

The history of Caribbean cinema continues its journey through the 1980s. After three episodes devoted to the early developments of several cinematic movements in the region, this fourth installment brings together two films from Martinique and one from Curaçao. From the “marronnage” in *Le Sang du flamboyant* to the international trajectory of *Rue Cases-Nègres*, and on to the unique worldof *Almacita di Desolato*, these three works explore different relationships to memory, oral tradition, Africa, and Caribbean imaginaries. This article is the fourth installment in a series of ten. The first three are already available on Richès Karayib, and six more will continue this story through the 2020s. 1981: MARTINIQUE — *The Blood of the Flamingo*, by François Migeat This film is unique in Caribbean cinema. Indeed, its director is a “Metropolitan” (that is, a white man from mainland France who had no deep-rooted ties to the French West Indies) who

Read More »
Doubles, plat de rue de Trinité-et-Tobago composé de deux baras frits et de pois chiches au curry
CULINARY ART
Tolotra

Doubles: The Story of Emamool Deen Behind Trinidad’s Street Food Dish

In Princes Town, in southern Trinidad and Tobago, the “doubles” were born in 1936 from a simple gesture: a customer asking for a second piece of bread. At the time, Emamool Deen and his wife Rasulan were selling curry chickpeas on a single piece of fried bread, unaware that they were inventing the country’s most iconic street food. Nearly a century later, doubles still tell the story of Indo-Trinidadian heritage through this chickpea sandwich, which has become a national symbol. A Morning in Princes Town, 1936 At 4:00 a.m., in a courtyard in Princes Town, in the southern part of Trinidad and Tobago, Rasulan Deen lights the fire that will heat the coconut oil. Her husband, Emamool Deen, is boiling the chickpeas that the couple was able to buy by selling a goat, the only possession they had. The year is 1936, and according to oral tradition preserved by several

Read More »
María Elena Llorente recevant un hommage floral, Ballet Nacional de Cuba
DANCE
Tolotra

María Elena Llorente: 50 Years of Ballet in the Service of Cuba

In May 1977, a Cuban dancer took the stage in New York with the Alvin Ailey Dance Theater. In the audience that evening, actor Harry Belafonte watched the performance and would later describe the evening as a significant historical event. This dancer’s name was María Elena Llorente, prima ballerina and ballet mistress of the Ballet Nacional de Cuba. Her career spans fifty years of dance, spent almost entirely with a single company—the one founded by Alicia Alonso in Havana—on an island where, over the decades, classical ballet has become as much a source of national pride as it is an art form. María Elena Llorente, of the Sociedad Pro-Arte at the National Academy It all began at the Sociedad Pro-Arte Musical, a school in Havana where young Cuban women learned the basics of classical ballet even before the official founding of the national ballet company. María Elena Llorente then continued

Read More »

conTACT RK

we'd love to have your feedback on your experience so far

Join The List

Join our Richès Karayib community!  Sign up for our newsletter.

Want To Maximize Your Business Presence On Riches Karayib?

Complete the form to start the application